Kneecap Rocks Paris: Electrifying Comeback at Le Trianon!

By Tyler Jenkins

De retour à Paris, Kneecap renverse le Trianon

Almost three weeks after their highly charged performance at Rock en Seine, the Irish band took the stage again at Trianon on Monday, September 8. The concert was a politically charged event where joy overshadowed fear.

Following their performance at Rock en Seine nearly three weeks ago, the demand for Kneecap has only grown. On August 24, Kneecap graced one of the smaller stages of the festival in the Île-de-France region, holding their ground despite hostility from the French right. The regional government, led by Valérie Pécresse, was so intent on silencing Mo Chara, Móglaí Bap, and DJ Próvaí that it initially threatened to withdraw its funding (295,000 euros for 2024) if the group was allowed to perform. This attempt at censorship failed, and the Rock en Seine team stood firm, sacrificing thousands of euros in the process.

Kneecap thus hosted a significant humanist gathering, despite facing legal issues with Mo Chara (real name Liam Óg Ó Hannaidh) who was charged with a “terrorist offense” for draping himself in a Hezbollah flag—a pro-Iranian Lebanese Islamist movement labeled as terrorist in the UK—and shouting support for Hamas and Hezbollah on November 21, 2024.

Days after this closely watched concert, Kneecap announced a new series of shows in Paris. Four nights to extend the celebration and further challenge their critics, at a time when shedding the dread stirred by increasingly brutal, horrific, and absurd international news seems more necessary than ever. Knowing what was in store—a loud and exhilarating concert—we headed to Trianon for the first of these four Parisian gigs, with subsequent shows scheduled for September 9, and November 10 and 11 at Élysée Montmartre.

“Does anyone have a whistle?”

As we entered the rather chic and tidy venue, which seemed almost too pristine for the performance of a decidedly subversive group ready to upend everything, the audience was already in place. Palestinian flags were either held aloft or hung from the balconies at the Trianon, keffiyehs, and hoods in Irish colors adorned attendees. It was clear no one had just wandered in because the lights were on. Nor were there any activists from the opposing camp looking to disrupt the event—something Mo Chara made sure of by jokingly asking the crowd, “Does anyone have a whistle?” shortly after taking the stage. This was a nod to a little incident that occurred three weeks earlier at Rock en Seine, where activists from the collective Nous Vivrons—who claim to fight relentlessly against anti-Semitism—had tried to disturb the start of the concert with placards and whistles.

The concert on Monday, September 8, went off without a hitch, filled with warm exchanges and humor. Kneecap engaged with the audience as if we were all leaning on a pub counter where laughter was abundant and beer flowed freely. They even paused between songs to help a spectator find his lost glasses and another retrieve his dropped passport, breaking into spontaneous song in French: “Where is the passport? Where is the passport?” until the item was safely returned to its owner.

A moment where the collective takes precedence over everything

The concert was undeniably political. Beyond the flags, a plethora of slogans were chanted throughout the evening, occasionally interrupted by the band, who had to continue the show and respect the venue’s schedule. From “Free free Palestine” to “Siamo tutti antifascisti” and “Everybody hates the police,” the evening felt like a joyous, healing, comforting protest. It was a protest where we danced and moshed until the Trianon seemed to shake beneath our feet. We even sang along to Édith Piaf’s “Rien de rien” as if we were one, joining a band member who decided to lead with the song’s opening lines.

The climax of the concert came with “H.O.O.D” and “The Recap,” Kneecap’s two hit tracks that the Parisian crowd knew by heart, sparking the final mosh pits and crowd surfing of the evening. Before leaving the Trianon stage, Mo Chara, Móglaí Bap, and DJ Próvaí thanked us one last time, leaving us with music. Perhaps that’s the true genius of Kneecap: creating a moment where the collective takes precedence over everything. As the stage emptied, everyone stayed to party and dance, celebrating one of the most fearless groups of our time.

Kneecap, November 10 and 11 at Élysée Montmartre.

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