Brooklyn brownstone embraces bold color and character over restraint

By Michael Reed

Brownstone foyer with terracotta tiles and painted staircase seen through open doors

In New York’s chronically tight housing market, trading a polished Manhattan townhouse for a storied Brooklyn brownstone often brings more living space, greater seclusion and a gentler tempo. For one couple whose children had moved out, that was precisely their experience when they left a refined Tribeca home for a landmarked 19th-century brownstone in Clinton Hill, seeking a setting with more personality for the next phase of their lives.

Their goal went beyond a simple restoration: they wanted a residence that could comfortably showcase a sizable collection of midcentury furniture and contemporary artworks while adopting a warmer, more animated material and color language. To realize that vision they engaged Barker Associates Architecture Office (BAAO), a Brooklyn practice, to reimagine the four-story house.

Before the renovation the property had been carved up for short-term rentals, and much of its original ornamentation had been removed. BAAO approached the project with a restrained, surgical touch—carefully salvaging the remaining historic elements and juxtaposing them with spare, contemporary interventions. The renovation establishes a thoughtful tension between the building’s historic shell and precise modern craft, producing consistently considered daylight and finishes tailored to the couple’s routines and passion for design.

The experience of the house begins at the entry. Deep olive-painted doors open into a terracotta-lined foyer that frames a view of the central stair. That stair, finished in a bright sunny yellow and accented with a striking red runner, immediately sets the expressive color tone that continues throughout the home.

On the parlor level, period details are quietly reinterpreted. White oak floors are laid on the diagonal, a nod to Victorian parquetry while also visually aligning with a relocated flight of stairs that now descends more fluidly to the garden floor. Traditional moldings and proportions remain, but they are complemented by contemporary material choices and spatial adjustments.

In the front room, original plaster crown moldings enclose a working fireplace that has been refaced in a textured porcelain tile. Suspended from a lovingly restored plaster rosette, an assertive chandelier by Richard Tuttle becomes an anchor within the generous room. The scale of the space allows for a curated selection of artwork, including pieces by Alfred Stieglitz, Inez Nathaniel Walker, Amy Sillman and tattoo artist Stoney St. Clair, each given room to breathe.

The kitchen was reconfigured to run around the room’s perimeter, abandoning the clinical feel of a typical modern prep zone in favor of improved circulation, tactile warmth and layered texture. Custom white oak cabinets and honed soapstone counters are paired with a dramatic, veined lilac marble backsplash. Rather than inserting a standard island, the architects centered a dining table under two vintage aluminum pendant fixtures sourced in France, turning the meal space into a social focal point. Nearby, a small powder room tucks away and is papered with a bold print by artist Duke Riley.

A sculptural stair, illuminated by three hand-blown Jeff Zimmerman milk-drop pendants, descends to the garden level where the plan separates into two contrasting atmospheres. At the rear, a light-filled family room opens directly to a landscaped garden, creating an indoor-outdoor continuation. Toward the front of the lower level, a more intimate mood prevails: a dark-paneled library fitted with a custom walnut bookcase and two Hans Wegner Papa Bear chairs becomes a tranquil nook for reading and reflection.

Up one level, the primary suite is conceived as a calm retreat in a warm, autumnal palette—tones of russet, ochre and moss green create a restful backdrop. The bedroom is enveloped in a hand-painted landscape mural that produces an immersive, contemplative ambience and connects visually to a bespoke white oak reading perch that looks onto a small private terrace. The adjoining bathroom uses soft limewash on the walls, a blue-green zellige-tiled shower and an arched vanity to continue the crafted, material-rich sensibility.

The top story is arranged for the couple’s three grown children: three bedrooms wrap around a central skylit lounge. Here, bold, graphic fields of saturated color introduce energy and clarity, providing a lively counterpoint to the more subdued primary suite while maintaining the overall balance of warmth and modern wit. Throughout the house, BAAO worked closely with the homeowners on furniture choices and on positioning the art collection so that each work complements its surroundings.

This project exemplifies BAAO’s design approach: clear spatial organization, a confident use of color and imaginative material pairings. The firm consistently finds ways to honor the historic framework of a house without slipping into pastiche. By weaving vivid palettes, contemporary art and careful craftsmanship into the bones of an old brownstone, they created a residence that feels both architecturally disciplined and distinctly personal.

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